• A fine-line horse print runs across the fabric in a delicate, illustrative style - the kind of print that reads as refined rather than decorative, with just enough detail to hold the eye.
• The frill neckline sits high at the collar with a self-tie at the centre front, creating a gathered, softly ruffled frame that draws attention upward without overpowering the face.
• Voluminous long sleeves taper into fitted cuffs - the balloon shape through the arm adds structure and presence while the blouse itself skims the body with ease.
• 100% viscose georgette delivers a soft drape and cool handfeel, moving with the body rather than holding a rigid shape, which gives the blouse its effortless, barely-there quality when worn.
• Cut to a regular fit at approximately 62cm in length - designed to tuck neatly into high-waisted trousers or sit just at the hip over a tailored skirt.

This blouse earns its place as one of those pieces that does the work of an outfit on its own. The print and the frill neckline are enough - pair it back with something deliberately simple to let both breathe. Wide-leg tailored trousers in a dark, neutral tone are the natural partner, as seen here, with the blouse tucked in and a slim belt anchoring the waist. Pointed-toe heels sharpen the overall silhouette. For the office, keep accessories minimal - a structured leather bag and a single gold detail at the wrist is all it needs. Come evening, the same combination transitions seamlessly into a dinner or a smart social occasion; the tie neckline reads formal enough without feeling overdressed. It also works tucked into a midi pencil skirt for a more considered, dressed-up approach. The viscose means it layers well under a sharp blazer on cooler days without adding bulk - the sleeves sit smoothly beneath rather than bunching at the shoulder.