• Large-scale hand-beaded rose motifs are placed across the length of the skirt, each one built from layers of beading that catch the light differently as the dress moves.
• Beaded fringe trails vertically from each rose, creating a cascading effect that shifts with every step - the kind of detail that reads from across a room.
• A halterneck neckline with a straight, high-cut front and an open back puts the construction of the embroidery at the centre, with no competing detail above the shoulder.
• The woven nylon shell has a slight weight to it that allows the skirt to hang cleanly to the floor, grazing the ankle without clinging - the silhouette is column-like but never stiff.
• A fully lined construction means the dress sits smoothly against the body, with the lining providing structure without bulk beneath the embellished surface.
• Maxi length of approximately 148cm, worn here with strappy heeled sandals that keep the focus on the embroidery rather than competing with it.

A black-tie dinner, a summer wedding, a gala - this is a dress built for occasions where the room is worth dressing for. The hand-beaded roses do the work that accessories often try to do: they give the eye somewhere to travel, from the chest down through the fringed cascade to the hem. Because the silhouette itself is restrained - no volume, no structural drama - the embellishment never tips into excess. It simply commands attention with a quiet confidence that suits a Karen Millen woman well.

Style it as the model does, with strappy heeled sandals that let the hem skim cleanly. Keep jewellery considered - a single fine bracelet or small drop earrings are all it needs. For a wedding or race day, carry a sleek clutch in a complementary tone and let the dress speak for itself. The open back makes it a particularly strong choice for warm-weather formal events where coverage at the front is preferred but something more interesting is needed behind.